![]() Note: The gummies colors do vary as we do not use any artificial coloring or dyes like cheaper brands to keep them natural and healthier. Providing you 2000IU of Vitamin D daily which the Institute of Medicine recommends for melanated skin. ✔️This is where Sunny Dayz supplements by giving you Sunny D in a vitamin gummy. Dairy is major source of Vitamin D but many of us are lactose intolerant. This along with the fact that today's lifestyles keeps people indoors or making a conscious effort to avoid the sun. This is because Vitamin D is produced by sun exposure and our melanin blocks the sun. ✔️Among African Americans we are in a Vitamin D deficiency epidemic. Vitamin D has recently been shown to lower the risk of diabetes, hypertension, multiple sclerosis, osteoporosis, memory loss and several types of cancer. ✔️Best known for building bones and preventing rickets. Most of us-and even our doctors-have little idea that taking regular amounts of it may help stave off some of the most common life-threatening illnesses. #Dayz images free#VEGAN & VEGETARIAN SAFE / GLUTEN FREE / NON-GMO 45 Day Supply VS Most Companies 30 Day Supply Flavors Peach Mango and Strawberry ✔️Vitamin D may be the most important supplement you are not taking-or not taking enough of. 72 x 96 inches.HELLO SUNSHINE 2000 IU Vitamin D DAILY 90 (Plant-Based) Gummies (Not made from Gelatin made with Pectin which is made from Fruit) Image above: Isaac Soh Fujita Howell, When the Sun Splits, 2020. Kahlil Robert Irving has curated a coinciding show at CANADA called Summer Nights, opening Friday, July 8. There is magic within an object, or the way an object has come to be. This, in relation to an even broader vision of what space or personal mythologies can look like, creates room for critical reflections. Do we know who these people are?Įach artist in Summer DAYZ suspends material and conceptual concerns within a paradigm or a fiction, beautifully constructed around their local and personal perspective. Within these portraits he is layering thin layers of lines and shapes that imply and create such direct portrayals. ![]() In NYC, even if one’s eyes are closed it is impossible not to see someone for their looks, energy, and presence. Portraits are a consistent studio endeavor for Lorimer. These recall and metaphorically shift the built and natural world with the perspective that the landscape is constantly adjusting ahead of the atmospheric change, simultaneously historical and current. Lucien beautifully crafts architectural elements and organic objects into permanent, semi-permanent, and malleable materials. Maurelle’s sculpture, using copper and musical instruments, blows through mechanical construction and poses the possibility that a verb can change time. The poetics in the details around us are reflected within the works of James Maurelle, Abigail Lucien, and Stuart Lorimer. Handmade objects reflect or mirror the systemic structures that expand or dislocate a view of how something is put together. The weight of meaning varies just like the materials used. Their art carries perspectives of how objects can be seen and formed. Carley Mandel, Julia Haft-Candell, and Fin Simonetti all imbue construction and deconstruction methodologies by dealing with varied materials. Making art by hand is an important element to the works in Summer DAYZ. #Dayz images series#The images in Julia Maiuri’s current painting series blur perspective and film construction methods, generating new images. His work questions how the evolution of colonialism into global capitalism creates cultural value and social desire. In contrast, Adrian Rivera’s sculptures challenge the history of found objects. This mashup creates a combination of imagism and formalism in Howell’s painting. Isaac Soh Fujita Howell has developed a narrative of figurative and architectural landscapes combined with translated text. The artists in this show balance technological and material possibilities their work presents structures that offer a chance to redefine dreaming and reflection. ![]() Artists make their own decisions but, in many ways, their ideas are superseded by present context and/or cultural limitations of imagination. ![]() This exhibition was formulated from thoughts about the processes of working with hot and cold materials – metal, paint, and plastic – to build worlds. Summer DAYZ is a compilation of works made by ten generous young artists invested in diverse and engaging content. In a space of wonder, how can we digest experiences, reference the process of world-building, and find refuge in a world that is daunting, ethereal, or has inherited complex histories? ![]()
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